I liked this book enough to rush out and buy 3 other Garcia Marquez books. For me that is rare. I found it to be a magical and poetic work, but with so many different characters (many with very similar names)concentration is essential. I am writing this now mainly for those of you who have heard of Garcia Marquez but have not yet read any of his work. My advice is to start with Love in the Time of Cholera. It is also a poetic, mystical, and romantic story but with essentially three major characters it is much easier to follow. Then read Chronicle of a Death Foretold. When those two have sparked you then take on One Hundred Years of Solitude! But expect to be turning back to previous pages, and refering to the family tree printed at the beginning of the book many many times. Either way, read something by Garcia Marquez. He is fantastic.

The best book about South America, the way of living there, the state of terrorism people are living in, the -everyday- civil war. The full history of a nation; all these, given with a super-inspired form of a (mythic?) family biography. I guess people of "Macondo" are all people of Colombia, all people of South America and, finally, all the people of the world, whenever a man cannot be free to live on his own will. Thank you, Gabriel. I believe I am a better person now.

There is not a lot to comment on this book. It is simply extrodinary. Having lived in the general area that Garcia Marquez was raised, and of the which he wrote this book, I find it very true to life. The characters in the book permit the reader to relate to the type of everyday life that goes on. Though the book seems to be several broken events placed together, upon finishing it we are able to witness the great symphony of literature that Garcia Marquez composed.

Before he was known as the writer of the Hobbit and the Lord of the Rings, JRR Tolkien was an acclaimed translator, a deeply scholarly philologist, and a professor of the same at Oxford University. His love for language and his proficiency with Old English dialects is nowhere more evident than in these translations. The beautiful prose and poetry that flows easily from the lips will intrigue and delight even the lay reader. The accuracy and brilliance with which Tolkien sets down these words will make a fan out of any scholar. All told, these aren't of the same stock as Tolkien's fantasy novels, but they are a great find for scholars, Tolkien fans, and anyone else for that matter.

J.R.R. Tolkien is best known as a fantasy writer. But his lesser-known profession was that of an professor and linguist, working at Oxford for over three decade. These three translated poems are excellent examples of his non-Middle-Earth work.

"Sir Gawain and the Green Knight" is a relatively little-known Arthurian legend, in which the knight Sir Gawain must forfeit his life to a knight who allowed Gawain to behead him -- then picked up his head and rode out. "Pearl" is a beautifully written, though somewhat more difficult to read, poem that chronicles the death of a child (possibly allegorical). "Sir Orfeo" is a version of the classic myth of Orpheus and Eurydice.

Tolkien's method for these works is unusually readable -- most translators sacrifice either readability or meaning; as far as I can tell, Tolkien sacrificed neither. "Sir Gawain" is probably the easiest translation I have come across; "Pearl" is haunting, laced with religious references, and very beautifully written; "Orfeo" is not so substantial as the first two, but still entertaining. It's a bit like a medieval ballad.

This book is not so much for fans of Middle-Earth, as for fans of all Tolkien's works. Beautifully written, highly recommended.

This book gets five stars because it contains "Sir Gawain and the Green Knight" - not because Tolkien translated it (although that probably helps)

"Sir Gawain and the Green Knight" is one of the masterpieces of the English language, one of those books we are asked to read in school over and over again (I personally read in in 12th grade AP English, my freshman year Arthurian legends class and Introduction to British Lit. my sophomore year). At first it is hard to read and you wonder why it is a legend.

Then I read it out loud, the words sounded better than they read. I also began looking into the mythology behind the story (why Troy is important in the first lines for instance). In the end, I have come to love this poem. To be honest, although I like this edition quite a bit, I haven't gotten around to reading the other two poems. I mean to though, any time now.

I'm only 11 years old and I know so much about my lab. It is such a great intro to labs, and it tells you alot of interesting facts. I reccomend you read it even if you don't have a lab. It is the most fact packed Labrador book I have read, and it's for a good price too! If I went somewhere else to get this book, it probably would have cost a lot more! This book is fun to read, even for kids.

If you are to buy one book before purchasing your pet Labrador, make this 'That Book'. To read other books after this will leave you saying, "I knew that". Those looking at Labradors for Working or Hunting dogs will require additional purchases; But for those looking at Labrador's for a Pet or Companion - this fact-filled manual will be all you need, and more. Not only does the manual explain the do's and don'ts of Lab Ownership (from pup's to old age), it provides the reader with important insights to the reasons behind them. From Training, to Grooming, to the Health of your Lab this easy to read book will keep you interested as you learn more about you're new Best Friend on every page. The knowledge gained from having this book on your shelf, coupled with the price you paid to get it there, guarantees everybody wins...the biggest winner being 'YOUR LAB'.

I don't even have a Lab puppy yet, and I learned a lot from this book. The section on training the puppy was excellent, well-written and very easy to understand. Learning about the history of the Labrador Retrievers was interesting too. Now, all I need to do is get a puppy...

"The Stranger" is a wonderful little book, filled with deceptively simple language and actions. It's understated, very subtle, and except for the outright atheist vs. church stuff at the end, you've really got to work for it. You can pick it up, read it in a night, put it down, and refuse to be affected...but if you listen, the meaning is in there, deep and dark, not didactic, more like a whisper.

The apparent indifference Mersault carries strikes one as inhuman: shrugging off his mother's death, swearing off the church, agreeing to marry in a heartbeat, and, most poignantly, accepting his fate - a death sentence. But the things Mersault is trying to say through the gaps between what's actually on the page is simple: it's all arbitrary, we're fools on a ball spinning around a star, and contentment is the simplest thing to feel amidst chaos.

Although the murder and the trial, and definitely the funeral, are fantastic moral-bending existentialist scenes, what sticks with you in the dark of night, is as simple as the prose and also as endlessly complex: we're here, we'll never understand each other, we see what's most convenient to see, and we all die in the end anyway, whether or not our tenure here can be marked as "good" or "bad" or "moral". Not the most uplifting read in the world, but literature is a cruel mistress sometimes.

This is one of my favorite books. I first read it in high school and fell in love with it. Mersault (the main character) finds himself guilty of murdering an Arab. The book soon reveals it is his lack of involvement in society that stands trial. I strongly recomend this books for those that are interested in existentialism.

A book about the "Absurd" hero... A man who can only enjoy the moment, with no thought of the future or the past, who does only what feels good at the moment... who is not ruled by the monotonous machinery of the world, who refuses to set routines... and yet becomes entangled in the impersonal machinery of society.

By the way, this book is about as un-autobiographical as is possible for a book to be. Yes, Camus grew up in Algiers and loved to swim, but he was primarily a thinker; he was utterly incapable of turning off his mind and thinking everything through. He philosophy was completely opposed to the Meursault's view of life. Yet, like me, he found in Meursault a certain honesty, of living consistently, without faking emotions and conventions. But it was ultimately against Meursault's attitude that Camus fought in his books and essays.

It is a philosophical novel, and no doubt people will be turned off by anything that challenges them, but definitely give this book a chance. It has more to say than all but a handful of books five times the length of this one. I read it almost ten years ago for school, and have read it a half dozen times since, as well as every other novel Camus wrote... those for my own enjoyment. Put aside that King book for a week and read one of the greatest books ever written.

Congratulations to the Tieger's. Their common sense in following the premise that people have individual personalities which influence relationship needs beyond gender is right on target. The research and conclusions drawn by the Tieger's provide the insight needed to answer many of the oversimplified gaps left by gender typing alone. The Tieger's have removed the obscurity, complication, and mystery from personality tests and brought them to the public in an easy to follow format. The book provides clear insight into the challenges and strengths of different relationship combinations and serves as a compass for finding the combination that suits you. Combine this book with their "Do What You Are" book and your life will feel like a fairy tale. Why? Because you will be living consciously and will understand your needs and desires and how to apply them in life. I have read through so many of the self-help books on relationships and making your dreams happen and no others have provided me with such clarity and concrete support.

Just Your Type, the newest book written by Paul D. and Barbara Barron-Tieger, is a wonderful addition to their growing list of helpful books applying Personality Type theory to our personal lives. As a marriage and family therapist, I have recommended all of their books to my clients, family and friends and received very positive feedback.

I know that this newest book will be very helpful to many couples as they sort through relationship challenges. One of the important benefits of this approach is that it deepens understanding and awareness of human behavior, in a way that takes it out of a pathological framework. Further, the authors then give suggestions for alternative ways to respond to specific behaviors. I feel that it gives people a new, fresh perspective for looking at their problems, which then gives them hope for a solution. This is done in an easy to read, easy to understand style.

I would highly recommend this book to anyone who wishes to deepen their understanding of their partner and their relationship.

If you are into understanding yourself and your relationships with others, you will love this guide.

After decoding myself (ISTP), I decoded everyone I know well, and it helped me to understand how and why each of my relationships differ. I shared the book with my ESTP boyfriend and we laughed so hard we nearly cried, because the book described our relationship SO EXACTLY it was scary.

We all communicate and make decisions differently. This book explains how YOUR type and THEIR type interact, and how to avoid common pitfalls. It's not only helpful, but very eye-opening and fun.

. . . to really achieve its full potential, this play needs to be acted out on stage. Still, highly excellent, involving twins, cross-dressing, love tangles, sword-fighting, secret marriages, music, disguises, mistaken identities, high speech, and lowbrow humour.

The entire play takes place in Illyria. In the main plot, Orsino is in love with Olivia, who unfortunately does not return his feelings. Viola is shipwrecked on the Illyrian coast, and dressed as a boy, comes to serve in Orsino's court, where she of course falls in love with Orsino. Meanwhile, in Olivia's court, some of her courtiers plan a cruel--but funny--practical joke against her pompous steward Malvolio. There is also a third plot later on involving Viola's twin brother Sebastian, who has been shipwrecked likewise. Naturally things get quite confusing, but, true to Shakespeare's comedic style, everything gets worked out in the end.

This is an enjoyable book to read, and the notes are very helpful. However, it is still better as a performance.

"Twelfth Night" is one of the famous romantic comedy written by William Shakespeare. Many critics said, "Twelfth Night" is the masterpiece among his comedy because his fully developed style and insight are in the "Twelfth Night", so it has special value and attractiveness.
There are four main characters in "Twelfth Night" ; Duke Orsino, Olivia, Viola, and
Sebastian. Duke Orsino who lives in Illyria loves Olivia, so every day he send one of
his servant to Olivia's house for proposal of marriage. However, every time Olivia
refuses his proposal for the reason that she lost her brother before long, so she is now
in big sorrow and can not love anyone. One day, Viola comes into Illyria. She and her
twin brother Sebastian are separated in a shipwreck and they are rescued by two
different people in two different place, so they think the other one is dead each other.
Viola disguise as a man and become a servant of Duke Orsino, and then she fall in
love with Duke Orsino. But, Duke Orsino loves Olivia and he send Viola whose new
name as a man is "Cesario" to Olivia for proposal. Unexpectedly, Olivia fall in love with
Cesario!! Therefore, love triangle is formed. In the latter scene, Sebastian also come into
Illyria, so the confusion getting worse. However, in the end, all misunderstandings are
solved and Cesario become Viola, so the four main characters find their love.
There are also four supporting characters in "Twelfth Night" ; Clown, Sir Toby Belch,
Malvolio, and Sir Andrew Aguecheek. They make the readers laugh through their funny
behaviors and comments in subplot.
"Twelfth Night" is very funny story and enjoyable book, so I recommend you.

I didn't read this particular version of Twelfth Night, so I'm rating the plot, not the editing. This book was the first play by Shakespeare that I read, and I loved it! It starts when Viola and her brother, Sebastian, are seperated in a shipwreck. Viola decides to disguise herself as a boy and work for Orsino, the duke. Orsino sends Viola to tell Olivia that he loves her. Viola does what he says, but she wishes she didn't have to, because she has fallen in love with Orsino! Then Olivia falls in love with Viola, thinking that she is a boy. While all this is going on, Andrew Aguecheek is wooing Olivia, who scorns him. Also, Maria, the maid, Sir Toby Belch, Olivia's uncle, and another servant write a letter and put it where Malvolio, a servant, will see it. The letter says that Olivia is in love with Malvolio. Malvolio immediately starts trying to woo Olivia. Maria and Sir Toby pretend to think that he's mad, and lock him up. Meanwhile, Sebastian comes to town with Antonio, the man who saved him from the shipwreck. Antonio gives him his purse and says that he must stay away from the city because he fought against the duke in a war. A few minutes later, Antonio realizes that he needs money for lodgings and goes to find Sebastian. In the city, Viola is being forced to fight Andrew Aguecheek for the right to marry Olivia. Antonio sees the fight and hurries to intervene. Orsino recognizes him and has him arrested. Antonio asks Viola for his purse so that he can pay bail, thinking that she is Sebastian. Viola denies having had a purse. Then Sebastian comes up. Olivia had found him and married him on the spot, and he, deliriously happy, had gone away to give Antonio his purse. On the way, he met Sir Toby and Andrew Aguecheek. When they try to force him to fight, he punches them and goes on. They come up too, bitterly accusing Viola. (No one has seen Sebastian yet.) Then Olivia comes up and speaks to Viola, who denies being her wife. Orsino becomes angry with her, thinking that she has married Olivia, and accuses her of treachery. Just as things are looking bad for Viola, Sebastian reveals himself. Then everyone is happy (since Orsino falls in love with Viola on the spot) except Andrew Aguecheek and Malvolio, who is later set free. The plot of this book is a little hard to understand, but it is halariously funny and makes for happy reading.

Tennessee Williams's Pulitzer Prize winning play "Cat on a Hot Tin Roof" is a reverie filled drama of lust, greed, and death that puts emphasis on the interaction of families. Williams creates universal characters that are pathetic yet familiar and therefore warrant the reader's sympathy. He writes with such deceptive simplicity that he masks his characters's inner turmoil initially, making the turnout of such characterizations intriguing. The play presents that humanity isn't beautiful while attempting to shed light on the emotional lies that govern the interaction of families. "Cat on a Hot Tin Roof"'s intertwining themes of the lie of life and the deception of death provide the reader with insight towards the amblivalence of life.

To say so much within such a short piece is a mystery within itself. The sheer power of the plot is testimony of Williams's genius. The play is beautifully constructed and hits upon many themes and emotions with clarity and precision, making it an enjoyable read while having substance. I did an analysis of this book for my junior Reading class, and recommend the read to anyone seeking high drama and a well rounded take on death.

Cat on A Hot Tin roof deals with love and loss, but once looked into deeper, deals with each character's take on death. this play is genius, and to give you a taste--"...But a man can't buy his life with it [money], he can't buy back his life with it when his life has been spent, that's one thing not offered in the Europe fire sale or in the Amercian markets or any markets on earth, a mans can't but his life with it, he can't buy back his life when his life is finished."

"Cat on a Hot Tin Roof" is another masterpiece by Tennessee Williams, who was truly one of the 20th century's greatest playwrights. This play was presented in New York in the 1950s, and in book form it is an excellent read.

I haven't looked at other editions, but the Signet edition contains two different versions of Act 3, along with a note by Williams explaining how director Elia Kazan persuaded him to write a second version. This feature makes the book particularly useful for teachers and students.

"Cat" takes place on a Southern plantation, and deals with a wealthy, but very dysfunctional family. Williams creates stunning dialogue for his characters: Brick, the bitter, alcoholic ex-athlete; Brick's frustrated wife Margaret; "Big Daddy," the patriarch, who is dying of cancer; and the rest. Williams also establishes the plantation's original owners as a haunting presence through the lines of his characters.

"Cat" is an explosive family drama about greed, secrets, guilt, alcoholism, and sexual frustration. Williams' characters are larger-than-life, and even grotesque, but Williams never loses a grasp on their essential humanity. An important book for those with a serious interest in American drama.

Jules Verne's novel "From the Earth to the Moon" is the imaginative story of an attempt, made shortly after the U.S. Civil War, to send a projectile to the moon. This daring plan is masterminded by veteran artilleryman Impey Barbicane, president of the Baltimore Gun Club. The novel follows the progress and remarkable outcome of the venture.

"Earth. . .Moon" is a terrific adventure story and a pioneering classic of 19th century science fiction. It's also an affectionate satire of the United States and the American character as seen through Verne's eyes. Verne's witty writing had me laughing out loud throughout the book. And furthermore, the novel is about courage, loyalty, and faith in the ability of human beings to overcome incredible obstacles.

Verne populates his adventure tale with a number of likeable and memorably drawn characters. He cleverly mixes in real scientific data with his fantastic tale. He also establishes the book's literary genealogy early on with references to Locke's Moon Hoax and Edgar Allan Poe's story of Hans Pfaal.

I read this book in the Lowell Bair translation, which is published as a Bantam Classic. "Earth. . .Moon" is suspenseful and exciting; it's also surprisingly poignant and ultimately inspiring. It's an enduring masterpiece by one of the 19th century's great visionary geniuses.

This is a prophetic, both scientifically and socially, novel by Jules Verne that was first published in 1865. Verne was a satiric critic whose novel strongly hints at the future military industrial complex. This story depicts a club of artillery experts, the Baltimore Gun Club, bemoaning the end of the U. S. Civil War. The President of the Club, Impey Barbicane, comes up with a new project: a cannon shot to the moon. The idea for having passengers comes from a Frenchman. Most of the novel is concerned with the preparations for the launch which occurs at the end of the book. The story continues in Verne's sequel, "Round the Moon" (1870). It's amazing how many things Verne correctly predicted. Verne was perhaps the first author who attempts to make his novels agree with the science known at his time, although there are still mistakes. Verne is also making a number of political points as well in comparing the freedom observed in the U. S. and the real lack of such freedom in France of the 1860s. Readers should also note that Walter James Miller has provided an annotated edition of this novel in 1978 that is excellent.

While I naturally have long admired Jules Verne for his outstanding scientific vision and prodigious talent as a writer, I really had no idea that he could also write in such an entertaining and humorous fashion as revealed in this short novel. My memories of 20,000 Leagues Under the Sea consist to a large degree of stretches of pages devoted to pure scientific language that could be hard to get through, but this book is an easy read full of action and laugh-out-loud commentary. Don't get me wrong, though--the science is here, and Verne goes into a lot of details concerning the project from conception to reality, walking us through all of the steps involved in constructing the cannon and its projectile. Surely, though, Verne knew that the very idea of launching men to the moon via a superhuge cannon was not really an idea that could work; as such, he lets the story and especially his characterizations of the main players in the drama, take center stage over the science. What we end up with is a study of sorts of the American character, a tribute to the power of imagination and dreaming, the glorification of science, and a very funny story about some really amazing characters.

I can not begin to relate the number of truly humorous anecdotes and observations filling the pages of this story. Barbicane, J. T. Maston, and Michel Ardan are quite memorable characters, and their acts and exploits will entertain you to no end. Verne introduces subtle but hilarious remarks and observations throughout the entire book that will make you laugh out loud. If the idea of hard scientific theorizing has scared you away from Verne, pick this book up and be wholly entertained. I would recommend, though, that you pick up a copy that also contains the sequel, Round the Moon. This first book essentially culminates in the firing of the men into space inside the projectile, and you will certainly want to read the story of what happens to the men afterward. I now have to find a copy of the second book, so I urge others to save yourselves time and buy both stories in one package.

The style is fabulous, the footnotes lend that authentic air, but unfortunately the means and the culprit are all too transparent in Jane Austen's fourth outing as a detective. Familiar characters from the first three books put in appearances, and as a whole are well-drawn (although with nine kids in the house I'd like to at least know who they all are...). The murder here is more gruesome than some of the earlier ones, but let's face it, as soon as the body is discovered you know how the trick was played, and a certain other scene, related by a jealous would-be suitor, lays the whole thing open. I spent the last two hundred pages or so enjoying the writing but thinking "Get a clue!" I'd recommend any of the others over this one, but for those (like me) who tend to collect an entire series no matter what, it's not a waste of money by any means. At the very least, you get to exult in how smart you are, which is always fun, right? As an aside, the landscaping descriptions are great; even for those who haven't traveled to Canterbury (which is probably most people) it's a cinch to close your eyes and visualize the countryside.

Having just finished reading this book, I find myself wanting more. I felt lost after closing the book and missed Barron's characters, which grow on the reader with time. Although this book was harder to "get into to", it all came together in the end, albeit somewhat confusingly.

I would definately say this book in the Jane Austen Mystery series was more difficult to follow. Others who have read this one have agreed with me in that the characters are introduced briefly and quickly. The setting could be described a bit more too.

Overall, this work of Barron's is fun and interesting to read. I prefer her first novel more, as it seems a little more gentler and subtle. With this, the fourth in the series, one cannot help becoming attached to the main characters.

Stephanie Barron does justice to the time period and the speech of the day. Nothing is worse than to read a period book and find modern day phrases throughout. Let us hope Barron continues her meticulous work and continues to bring forth more of Jane Austen for those of us who can never get enough!

There are more than a few literary tragedies -- the burning of the Library at Alexandria and Coleridge's ill-timed caller come to mind -- and among them one must list Cassandra Austen's burning of the majority of her sister Jane's letters. Despite the loss of this treasure trove, Stephanie Barron manages to capture the style and spirit of Miss Jane's lovely prose, and she does so within the framework of cozy murder mysteries. The series is highly entertaining, and this fourth installment is no exception. Though the mystery is fairly transparent (It's easy to figure out what happened, though it takes a while to figure out whodunit), the language is elegant and witty and we learn a lot about Britain's Great Terror, landscaping, horses and even Jane Austen and her family. My next visit to England will definitely include a visit to Godmersham! Though I would appreciate an author's note detailing the fictional status of the characters, I am puzzled by the complaints about learning. When knowledge is gained so painlessly, why would one choose mindless entertainment?

This story takes place near Jane's brother Edward's estate, Godmersham, in Kent, at the time if the Canterbury Races. At first I was disappointed that some of the series' most endearing characters were missing -- Eliza and Sir Harold Trowbridge are only mentioned or appear briefly. I was not as disappointed to have Jane's mother and sister absent, as Cassandra is basically a wet blanket in this series and Mother is very annoying. But I was pleasantly surprised to become better acquainted not only with Jane's brothers Neddie and Henry, but also Neddie's wife Lizzy and daughter Fanny. These characters are a lot of fun, and scenes of the family gathering to try and reason out matters are particularly engaging. I agree with the reviewer who said that Julian Sothey's devotion to Anne Sharpe did not seem justified, but otherwise thought that the characters here were quite engaging and beautifully drawn.

In addition to being historically accurate, Ms. Barron takes pains to incorporate real events from Jane Austen's experience into the story, and if you also have a copy of Jane Austen's Letters, you will be delighted to read those from the same time period and find the correspondence (so to speak) between events real and fictional.

One trusts Miss Jane would approve.

The Book Light in August is definitely a complex book to read. This is the first novel I have read by William Faulkner. Light in August ranks among the very finest of novels of world literature. The book incorporates great moral themes relating to the ruins of the Deep South in the post-Civil war era. The characters in the book are all unique and complex in there own way. One main character in the book, Joe Christmas, still sticks in my head after I read it. He is a contemptuous man who looks white, but whose father is black. He ends up being the murderer of a woman. People who have a lot of time on their hands and want a good book to read should read this book. The story is filled with great themes, is extaordinarily complex, and is almost always laced with trauma and misery!

Just when I thought the only Faulkner book I would ever remotely understand was his Sanctuary---along comes the serendipitous discovery of Light in August. It is a relatively straightforward journey into the lives of yet another cast of tragic Southern characters; a dark, mythic voyage into the subterannean caverns of their souls...or something like that. Faulkner truly does an impressive job of mining the psychological depths of his characters, often through the technique for which he's famous---Stream of Consciousness. If you've stumbled over Faulkner's difficult style in novels like As I Lay Dying and Intruders in the dust then this book, along with Sanctuary, is an excellent starting point. Grab a strong cup of coffee, make sure your reading light is bright, and good luck.

Faulkner again proved himself a master of American literature with his tragic story of Joe Christmas, a truly unlucky and unloved fellow whose life of rejection has led him to make some truly unwise choices. Crafted in Faulkner's signature intellectual, sometimes verbose, style, this novel is an important examination of some major flaws in the typical American character. We all identify with the characters in this book.